GNX
Following the Drake beef—where most hip-hop fans can vouch that Kendrick walked away as the clear, unanimous winner—Kendrick drops GNX, and honestly?
It’s the most fun I’ve ever had with a K-Dot album.
It’s groovy, it’s bouncy, and while it may feel lighter in tone, it’s far from meaningless. GNX feels like an open invitation to the casual rap listener—especially those who wouldn’t usually go out of their way to explore West Coast-influenced rap. It’s a nod to the sounds of YG, AzChike, and others who helped define that energy, even though it’s faded in recent years.
That said, I don’t quite get why some people are calling this album innovative. Is it well-executed? Absolutely. Is it versatile? No doubt. But reinventing the genre? Not quite. For example, Gloria is an amazing track, but its plot twist isn’t new—we’ve seen this kind of storytelling in songs like Sparks Fly by Vince Staples. It’s done beautifully here, but let’s not act like it’s never been done before.
Same with the groovy production—it’s being hailed by some as a new wave in hip-hop, but really, this sound has always been part of the genre, especially during the era Kendrick grew up in. It’s not a revolution; it’s a revival—and a well-deserved one.
One of the best things about GNX is the presence of West Coast rappers. Not only are there a lot of them featured, but they all deliver. AzChike, in particular, stands out. Kendrick’s always been generous about sharing space, and this project continues that trend.
A standout moment is Man at the Garden, a powerful track that reflects Kendrick’s personal growth. As Shawn Cee pointed out, comparing this to U from To Pimp A Butterfly really shows how differently Kendrick views himself now. That evolution wouldn’t have been possible without a deeply introspective album like Mr. Morale & The Big Stepper.
GNX is vibey, fun, even a little goofy—but never cringe. It’s Kendrick’s most successful attempt at crafting a mainstream album, one that casual and hardcore fans alike can enjoy. Luther is another emotional standout—the Luther Vandross sample is heavenly, and the chemistry between Kendrick and SZA is just next level.
Squabble Up delivers exactly what the album promises: wavy, fun energy that makes you want to move. And of course, Kendrick continues to do what he’s always done best—create moments. This time, it’s the TV Off track, where his now-viral Mustard line lit the internet on fire.
Kendrick made a bold, accessible album with West Coast soul and mainstream appeal—without losing his edge
